Ain’t That Rich

Kate grew up “poor.” She thinks her husband is “rich.” His family says that’s not a nice word. As Kate straddles two different extreme ways of life, she realizes what money can and cannot buy, including the possible salvation for a loved one.

Production History

Ain’t That Rich was developed with assistance from Solo Sundays at Stage Werx and The Marsh, both in San Francisco. It premiered at Capital Fringe in Washington, DC where it was named “Best of Fringe,” and given 5 stars by DC Metro Theatre Scene. The show won first prize and audience choice at Maui Fringe. An excerpt of the play was published in Luna Luna Magazine. Ain’t That Rich  ran at NYC Frigid Fest and Montreal Fringe where it was produced by Really Spicy Opera. The Marsh Theatre in San Francisco produced a  seven week run at the end of 2017. In 2018 Ain’t That Rich will be featured at United Solo Festival in New York City.

Reviews

Cult MTL

Montreal Rampage

DC Metro Theatre Arts

Theatrius

San Francisco Chronicle Photo

DC Theatre Scene

 

Ain’t That Rich (Review): Montreal Theatre Hub

“A winning comedy on money, class, and identity…truly impressive.” Anya Leibovitch, Montreal Theatre Hub Read the review

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Ain’t That Rich (Review): Montreal Rampage

“You will laugh your way through, pretty much non-stop.” Angela Potvin, Montreal Rampage Read the review

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Ain’t That Rich (Review): Cult #MTL

“Animated and engaging…self-deprecating humour and insightful wisdom.” Lisa Sproull, Cult #MLT Read the review

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Ain’t That Rich (Review): Vagabond Critic

“Robards has a gift for turning ordinary events into comedy.” Jack Nakamura, Vagabond Critic Read the review

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Ain’t That Rich (review): Theatre Is Easy

“A rollercoaster of emotion with a Goldilocks balance of comedy and drama. Robards shines…” Keith Paul Medelis, Theatre is Easy Read the review

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Ain’t that Rich (Review): DC Theatre Scene

Like a well-made vodka punch, Kate Robards’ well-made story sneaks up on you. It starts out as a lighthearted account of how she married rich and ends up as a discomforting meditation on the relationship between money and self-image. Particularly now, as we agonize over issues of money and class and race, her story packs…

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Ain’t That Rich (Review): DC Metro Theater Arts

In Ain’t that Rich, writer and comedian Kate Robards delivers a dazzling solo performance, one as mesmerizing and powerful as it is funny. “5 stars” “Best of 2016 Capital Fringe” Ravelle Brickman, DC Metro Theater Arts Read the review

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